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F for Fake  (84)IMDb 7.81 h 28 min1975PG In Orson Welles's free-form documentary F for Fake, the legendary filmmaker gleefully engages the central preoccupation of his career--the tenuous line between truth and illusion, art and lies. F for Fake serves as the final major piece of documentary fiction (or fictionalized documentary) of Welles' career, starting with War of the Worlds. The website's critical consensus reads, "F for Fake playfully poses intriguing questions while proving that even Orson Welles' minor works contain their share of masterful moments. As partial compensation for that injustice, he is maintained in a villa in Ibiza by one of his dealers. With Orson Welles, Oja Kodar, François Reichenbach, Elmyr de Hory. F for Fake is full of freeze frames that function as visual punctuation or witticisms. He apologizes, quotes Picasso's statement that art is a lie that makes us see the truth, and bids the audience good evening. An elusive billionaire hires an American smuggler to investigate his past, leading to a dizzying descent into a cold-war European landscape. Deceit. The Parisian film world is relatively small, and simply being on the fringes of it … Reviews There are no reviews yet. Elmyr insists he never signed any forgery, and Welles wonders whether, given the fact that all art eventually falls away to ruin, a signature truly matters to any art work. He illustrates the point by shots of the cathedral of Chartres, pointing out that the names of the men who created the magnificent building and the sculptures which adorn it are unknown. O rson Welles's penultimate film, from 1975, is a playful, personal essay, full … F for Fake will never have a pristine look, so Criterion’s treatment of it is to be admired. Was this review helpful to you? Films similar to or like F for Fake. It can seem dense in a few spots, but I thought it was a profound look at how fakery affects art and how art can expose frauds. People tend to forget that this master crafstman, rightfully thought of as one of the pre-eminent artists of the medium, was, first and foremost, an entertainer. He also has a great scene at the beginning of the film putting on a magic show for a little boy.I deliberately skipped the part of the film, quite short, where Welles talks about himself. F for Fake F for Fake. Magic. Orson Welles was hired to edit a documentary by François Reichenbach about the art forger Elmyr de Hory. Indeed, you might see F for Fake as developing the notion of the modern film essay, in that by its final reels you come to realise Elmyr and Irving were mere pawns at the centre of Welles’ brain-teasing intellectual treatise. This dialogue is presented by Welles and Kodar re-enacting the parts of the grandfather and Picasso respectively. Definition. It's simply amazing watching him effortlessly, and I MEAN EFFORTLESSLY, reproducing the paintings of Picasso and Matisse. "[4], Several storylines are presented in the film, including those of de Hory, Irving, Welles, Howard Hughes and Kodar. It's all in fun, but it also can't help but seem a bit silly. Its main subjects are Elmyr, a pre-eminent art forger, Clifford Irving, who faked the Howard Hughes biography, Orson Welles himself briefly (chiefly the War of the Worlds broadcast), and Elmyr's precursor, another Hungarian forger who is supposedly the best forger who ever lived. Like I said, it's enormously entertaining. A couple's honeymoon trip aboard a yacht leads to a claustrophobic drama when another vessel runs into their voyage, apparently drifting. We see that Elmyr is able to recreate a master work of art in a matter of hours or with some works, minutes. F for Fake. I think all of Welles' films were, really. Peter Bradshaw @PeterBradshaw1. Welles recounts his own past use of fakery: how he got a job in Ireland by falsely claiming to be a famous New York actor, and how his broadcast of War of the Worlds made deliberate use of fake news to enhance the story. [8] The film embraces ideas from the self-conscious notation of the film process to the ironic employment of 1950s-era B movie footage (Earth vs. the Flying Saucers). As writers like Jonathan Rosenbaum have pointed out elsewhere, F for Fake is, among other things, a critique of the commodification of the art world. What was it at this point, his one thousandth? "F For Fake" is minor Welles, the master idly tuning his instrument while the concert seems never to start again. View production, box office, & company info. This is all well-travelled ground in appreciations of this film, but something that has received less attention is the odd fact that F for Fake is also a meditation on Oja Kodar's perfectly sculpted ass. by Orson Welles 1h29 1943 United States. It is, in other words, a valentine to filmmaking in general, and its larger-than-life creator in particular. What is only hinted at in Welles's documentary is that de Hory had recently served a two-month sentence in a Spanish prison for homosexuality and consorting with criminals. In Macao, a wealthy merchant named Charles Clay hires two people to recreate a story of a sailor who is paid to impregnate a man's wife. When it finally came out, Welles produced a preview "trailer" for it, which was effectively a wholly original 9-minute film, shot and edited in a similar style to the film itself. F for fake. Topic. He also notes the coincidence that his first film Citizen Kane was originally going to be a fictionalized version of Howard Hughes.[2]. What is unique to the film is the concept of the unreliable narrator — a key subject of the film itself, which at many points shows Welles sitting at an editing controller, as he narrates and draws self-reflexive attention to the problems with veracity in life and filmmaking. He seems to be wondering whether it was all worth it. They did not sign their work, but it has endured. Welles quotes Robert-Houdin to the effect that a magician is just an actor. F for Fake is one of the more wistfully humorous of Welles’s wrestlings with reality. F For Fake ( 1973) Topics #welles. F for fake Addeddate 2021-03-08 17:00:26 Identifier f-for-fake-1973 Scanner Internet Archive HTML5 Uploader 1.6.4. plus-circle Add Review. Orson Welles' free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr's biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles' own career (which started with a faked resume and a phony Martian invasion). Orson Welles' documentary about every kind of hoax and trickery. Bottom line, F For Fake is an ambitious film that only Orson Welles could pull off. Pretending to quote a conversation between herself and Picasso, The Handmaid’s Tale Season 4 Episode 4 Review: Gilead Doesn’t Have the Monopoly on Abuse, “How Do You Build Trust with People Who… Do Not Remember They Have Ever Met You?”: Louise Detlefsen on Her Hot Docs-Debuting It is Not Over Yet, My Top 25(In view of the upcoming S and S poll 2022), IMDb Poll Board Favorite Documentary Films, Sight & Sound: Greatest Documentaries of All Time. F For Fake replied to Buzzetta's topic in Comics General This happened to me once on eBay, but it’s been so many years ago, I can’t recall what I was even selling. The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio when in reality, it is all part of the scheme of a bitter Ensign named Iago. Fast, free delivery. Wikipedia. Thursday, November 1, 2018. The trailer has subsequently been restored in colour, and is included as an extra on some DVD versions of the film. That's not something you can say about the majority of cinematic auteurs. Fake news is a neologism. "[9], On review aggregator Rotten Tomatoes, the film has an approval rating of 88% based on 50 reviews, with an average rating of 7.79/10. If not, he was always a famous and successful film actor, even in movies that he didn't direct himself. “If my work hangs in a museum long enough, it becomes real.” —Elmyr de Hory If you’ve seen Orson Welles’ late period quasi-documentary F for Fake, then you know about the mysterious art forger Elmyr De Hory. 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. It's customarily identified as a documentary, and then customarily the hedging begins to the effect that, whatever the hell it is, "documentary" is a misleading word. Watch F for Fake in all its illusory glory. Actually, "plot" isn't the right word here: the … F for Fake is similar to these films: Don Quixote (unfinished film), The Other Side of the Wind, Touch of Evil and more. F for Fake (1973) ** 1/2 (out of 4) Orson Welles' final major picture started off as a documentary on art forger Elmyr de Hory but when that project led to an interview with Clifford Irving, the man who wrote the fake Howard Hughes biography, the documentary took a new turn and decided to look at fakes all around. Directed by Orson Welles, Gary Graver, Oja Kodar. With Orson Welles, Oja Kodar, François Reichenbach, Elmyr de Hory. Deceit. In F for Fake, a free-form sort-of documentary by Orson Welles, the legendary filmmaker (and self-described charlatan) gleefully reengages with the central preoccupation of his career: the tenuous lines between illusion and truth, art and lies. Later in his career, Orson Welles made a film called F for Fake, a “documentary” about art forgers that leads viewers to question the narrator’s reliability. F for Fake (French: Vérités et mensonges, "Truths and lies") is the last major film completed by Orson Welles, who directed, co-wrote, and starred in the film. To the world at large, Welles’ apology only confirmed the epic scale of that 1938 disaster. In one sense, it all comes down to style. When Welles made his never-released nine-minute F for Fake trailer three years later, he even avoided having his name spoken or seen (“Modesty forbids”)—except for when Gary Graver, his cinematographer and partial stand-in as host, prompts him with, “Ten seconds more, Orson.” For a filmmaker who studiously avoided repeating himself and sought always to remain a few steps ahead … Author Robert Anton Wilson, a great fan of the film, argued in Cosmic Trigger III: My Life After Death that the film was itself largely an intentional effort at fakery by Welles in support of the film's themes. (1973). Is he making this up, too?There is also, though, this sad undertone of the film about Welles' own life. 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